A Nonsense Élite

Crossed Love and Swords
R: Frank Griffin. D: Louise Fazenda, Dave Morris, Al St. John. P: Keystone Film Company. USA 1915

“One of best performances of the film is delivered by Al St. John, the highly acrobatic nephew of famous Roscoe “Fatty” Arbuckle, who was very different from his uncle not only physically, but also in comedic style. Having a steady career in silent-era comedies, he also made a name for himself in westerns during the talkie era.”
Silent Beauties

“Louise Fazenda got her start in comedy shorts as early as 1913 with Joker Studios, frequently appearing with Max Asher and Bobby Vernon. She was soon recruited for Mack Sennett’s troupe at Keystone Studios.
As with many Keystone actors, Fazenda’s star soon grew larger than Sennett was willing to pay for, and she left Sennett in the early 1920s for better roles and more money. She took a break from making motion pictures in 1921-1922 in order to try vaudeville. Fazenda appeared in a variety of shorts and feature-length films throughout the decade. By the advent of sound pictures, Fazenda was a highly paid actress, making movies for nearly all of the big studios. Fazenda continued through the 1930s, appearing mostly in musicals and comedies. Her skill was in performing character roles. She played such diverse parts as a fussy old maid and a lady blacksmith. She was once accurately described as a plain-looking woman but a highly gifted character comedienne.”
Hollywood Walk of Fame