Dans le sous-marin
R and actors: Unknown. P: Pathé frères. Fr 1908

The French submarine Monge
“One of 18 Pluviôse-class submarines built for the French Navy (Marine Nationale) in the first decade in the 20th century.(…) The first six boats completed were armed with a single 450-millimeter (17.7 in) internal bow torpedo tube, but this was deleted from the rest of the submarines after an accident with their sister Fresnel in 1909. All of the boats were fitted with six 450 mm external torpedo launchers; the pair firing forward were fixed outwards at an angle of seven degrees and the rear pair had an angle of five degrees. (…) Monge, named after the 18th-century mathematician and Minister of Marine Gaspard Monge, was ordered on 24 August 1905 from the Arsenal de Toulon. (…) At the outbreak of the First World War Monge was part of the French Mediterranean Fleet and sailed with that force to the Adriatic tasked with bringing the Austro-Hungarian Fleet to battle or blockading it in its home ports.”
Wikipedia

“D” Class Submarine,  UK 1908
“The Royal Navy’s eight ‘D’ Class Submarines entered service between 1908 and 1911. The Royal Navy considered these to be ‘patrol’ (as opposed to coastal or fleet) submarines. They were significantly larger than the preceding classes and, with twice the endurance offered the British their first plausible ocean-going submarines. The Grand Fleet Battle Orders specified that the top speed on the surface was 13 knots, but that a more realistic ‘sea-going speed’ was 11 knots. The two forward tubes were mounted one atop the other, which allowed a sleeker hullform but which complicated the loading arrangements in the confined space. A single cap for the forward tubes rotated 90° in ‘roll’ to uncover both tubes at once. In effect, this piece was the prow of the submarine.”
The Dreadnought Project

Pochtovyy, Russia 1905

“Drzewiecki design, construction funded by public subscription between workers of Russian mail service, so the submarine was named Pochtovyy [i.e. Mail]. The chief aim of the design was to provide a submarine with a single diesel propulsion when surfaced and submerged. Because of the lack of a suitable diesel engine in 1905 gasoline ones were fitted instead. These were supplied with oxygen from 45 air cylinders (10m3 of air under 500kgf/cm2 was carried) when submerged. Exhaust gases were ejected overboard by compressor jointed to a perforated pipe under the keel. With only 1 engine running she was able to cover 28 miles when submerged and 350 miles on two another engines when on the surface. The whole system proved reliable enough but further refinement was abandoned because of steam collecting inside the hull when the boat was submerged and the bubble wake on the surface.”
NAVYPEDIA

French submarine Pluviose, 1908. Sank at Calais in 1910 but raised and repaired:

>>> WAR

Christophe Colomb
R: Étienne Arnaud. D: Renée Carl. P: Société des Etablissements L. Gaumont. Fr 1910

“This May 2023 restoration is the best print you are going to find of this rare film. We used Adobe Premiere to achieve these results. For this film, we upscaled to 4K, adjusted the h/w ration, adjusted black and white levels and eliminated damaged sections and provided stabilization throughout. In addition, we have added a soundtrack to help carry the film. The English intertitle version of the film is from the Library of Congress. The LOC copy of this film was virtually unwatchable prior to our restoration. A higher quality French version exists as well.”
Silent Film Restoration Channel

“An instructive and interesting historical film, representing important scenes in the life of the Portuguese navigator who gave a new hemisphere to the world and died in poverty. To say whether a film of this type is accurate is impossible, since much of the information which has come down to modern times is at best fragmentary and conflicting. The important points are well understood, however, and in the scenes presented in this film those features of Columbus‘ life which are well known are graphically set forth. It is a sumptuous film, well acted, adequately staged and clearly photographed. The combination is responsible for a picture which conveys reasonably accurate facts and does it in an interesting and convincing way.”
The Moving Picture World, May 28, 1910

“This film presents some of the principal episodes in the life of Christopher Columbus, including the discovery of America. Here we see the meeting with Queen Isabella of Spain and her promise to fit out a fleet. The next scene gives one an idea of the Spanish galleons at sea. Months seemed to have passed and no sight of land; the sailors are very impatient and in the end mutiny. Just at this moment land is sighted, and here we get a very fine view of the ‘lookout’ in the ‘crow’s nest.’ The next scene shows how Columbus had to fight his way with the natives, while these in the end were conquered by kindness. The next scene brings us back to Spain, where he has awakened great jealousy, and is charged with cruelty by some of his crew. Investigations are made and he is cast into prison. He sees from his cell, the great welcome Amerigo Vespucci receives, as having added a new world to the throne of Spain. The authorship of this film was also ascribed to Louis Feuillade.”
Letterboxd

>>> more films by Étienne Arnaud: Feuillade’s “André Chénier”,  Éclair in America

250 years later:

The Indian Land Grab
R and actors: Unknown. P: Champion Film Company. USA 1910

“Alas, this film, despite its evident good intentions, fails on so many grounds. The composition is stagy. The acting is stagy. The Indians don’t look like Indians, they look like Jack Carson and Curly Howard dressed in buckskins and Comanche war dress. The interiors look like they were designed and painted in a couple of hours. When the chief Indian comes to Washington to plead that their lands not be taken, the daughter of one of the Senators — who looks to be in her forties — vamps him until the bill passes. When he accuses her, she faints, and rises having decided she loves him. – It’s all piffle, poorly executed, even by the standards of the day.”
IMDb (boblipton)

HISTORY 

Au pays de l’or
Dir. and actors unknown. P: Pathé Frères. Fr 1908

“A woman spies a gang of dwarfs disappearing underground in a forest, and a fairy takes her into their abode where they forge gold. – There’s no director listed for this on IMDB, but it looks somewhat like the work of Gaston Velle or Segundo de Chomón to me. There’s no plot; it’s more like a series of fantastically derived set pieces with the theme of gold tying them together, and it feels something like a factory tour; the woman even gets free samples at the end. The neatest effect is watching the gold being forged to coins, which is basically achieved by creating filming several fake pieces of gold being melted in a pan, and then running that footage backwards. There’s a giant face that spits out gold coins as well as a series of women being offered the gold of their respective nations. The whole thing is nicely hand-tinted as well.”
Dave Sindelar
Fantastic Movie Musings and Ramblings

L’obsession de l’or
R: Segundo de Chomón and Lucien Nonguet. P: Pathé Frères. Fr 1906
Print: Nederlands Filmmuseum

“An artist is in danger of losing his home when he can’t pay the rent. After he sends his female companion out to pawn her jewelry, he is visited by dancing money chests that offer him gold.
It’s a little difficult to make a judgment on this one, as it appears to be incomplete. It’s a fairly big jump from having a man glory in a fantasy about having tons of gold to hanging himself, and I suspect a chunk of plot is missing. It’s also a little on the disappointing side for Chomón; it’s a little too similar to the work of  Méliès and lacks Chomón’s individual touch that usually sets it apart; it even has the standard Méliès dancing girls number. Maybe a version that isn’t missing footage would be better; as it is in this form, it’s not essential Chomón.”
Dave Sindelar
Fantastic Movie Musings and Ramblings

Fixing a Flirt
R: Unknown. D: George Reehm, Frances Ne Moyer, Spottiswoode Aitken,  Bobby Burns,  Walter Stull. P: Lubin Manufacturing Company. USA 1912

“George Reehm stiffs his landlady so he can pester Frances Ne Moyer into a date at a fancy restaurant. When all her friends from work show up, George finds himself short of cash.Mr. Reehm, who resembles Franklin Pangborn, is very good in his comic discomfiture, but there is no comic snap to this short Lubin comedy. Every punchline is foreshadowed so fully that there is no surprise to any of the situations, nor, except for Mr. Reehm’s reaction, much effect. This was pretty much the style to comedy before the rise of slapstick, with its outsized reactions. Neither does Mr. Reehm show any particular adeptness in his stage business. He is simply transported from being the aggressive masher to the victim of his own folly; it’s a good outline for comedy without much in the way of execution.”
IMDb (boblipton)

>>> Spottiswoode Aitken in Griffith‘s The Avenging Conscience

All on Account of the Milk
R: Frank Powell. K: Arthur Marvin. D: Mary Pickford, Kate Bruce, Blanche Sweet, Mack Sennett, Arthur V. Johnson, Flora Finch. P: Biograph Company. USA 1910

“Frank Powell (born May 8, 1877) was a Canadian-born stage and silent film actor, director, producer, and screenwriter who worked predominantly in the United States. He is also credited with ‘discovering’ Theda Bara and casting her in a starring role in the 1915 release A Fool There Was. Her performance in that production, under Powell’s direction, quickly earned Bara widespread fame as the film industry’s most popular evil seductress or on-screen ‘vamp’. (…) In New York in 1909, Powell expanded his career into the rapidly expanding motion picture industry, working initially as an actor and scriptwriter at Biograph Studios. There he also co-directed his first film with D.W. Griffith and demonstrated an adeptness at directing comedies.

After directing 63 short films for Biograph, Powell in 1914 journeyed (again) to Europe, where he joined Pathé Frères as a producer of historical and romantic dramas. (…) On his return to the United States, Powell in April 1912 was engaged by Powers Motion Pictures, and after being with that company for less than a year, he worked briefly again for Biograph before rejoining Pathé as a director of special features. (…) Later, as a freelancer, Powell directed the first film made by George Kleine’s production company. He was then hired near the end of 1914 by Fox Film Corporation, where he directed two highly popular films starring Theda Bara. The first one, A Fool There Was, was released in January 1915 and made the young actress an international star and gave her the nickname “The Vamp”. Often credited with ‘discovering’ Bara, he had cast Bara six months earlier in a very minor role in her onscreen debut for the Pathé drama The Stain.”
Wikipedia

“The October 1916 edition of the Motion Picture News Studio Directory contained the following biographical account, which gives additional information concerning his wide roving in the field: ‘Frank Powell, president and director, Frank Powell Productions – Stage career: First with Eugene Blair in ‘A Lady of Quality’. Three years as stage director for Augustus Thomas in ‘The Education of Mr. Pipp’. Two years as stage director for Ellen Terry in her English tours. Stage director for Fannie Ward in ‘Lady Bantock’, etc. Screen career: Biograph (acted in and directed comedies), Pathé (directed in Paris and London), Kleine (Officer 666), American Pathé, Fox (director, The Children of the Ghetto, A Fool There Was, The Witch, The Fourth Estate, The Stain, Princess Romanoff, From the Valley of the Missing, The Chain Invisible, The Corsair, The Ghost, Jane Shore, The Other Sister, etc.), now at work on the first feature of his own, starring Creighton Hale, Linda Griffith, and Sheldon Lewis.'”
Thanhouser

“The date, exact location, and cause of Powell’s death remain uncertain due to the lack of conclusive documentation. The presence of various Frank Powells in historical records in different states, conflicting information in federal indexes, and the ongoing need to find a corroborating obituary in a newspaper or trade publication leave many questions regarding Powell’s final years and death unanswered.”
Wikipedia

Frank Powell as actor on this site:
>>> A Corner in Wheat
>>> The Mended Lute
>>> The Country Doctor