A Vitagraph Commercial

A Vitagraph Romance
R: James Young. B: James Young (scenario). D: Clara Kimball Young, Flora Finch, J. Stuart Blackton, Edward Kimball, James Morrison, Albert E. Smith, William T. Rock, Florence Turner, Ruth Owen, Edith Storey. P: Vitagraph Company of America. USA 1912
Print: EYE
Dutch titles

“It tells a good story convincingly and uses the Vitagraph plant as a background and in a very interesting way. The romance has its beginning at a seaside resort of which we have seen some pretty glimpses. It is here that a young author (James Morrison) meets and falls in love with the daughter of a senator (Clara Kimball Young). The senator (Edward Kimball) refuses his consent and sends the girl to boarding school where we find Flora Finch as the principal. There’s a moonlight elopement from the school troubled waters for the young people and then they get a job with The ViItagraph Company where at length the forgiving senator finds them. The Vitagraph scenes are very good. In the office, Messrs. W.T. Rock, A.E. Smith and J. Stewart Blackton are in consultation. Mr. S.M. Spedon enters for a moment just before the senator is introduced. The visitor is conducted through the yard so to the studio where one of Miss Florence Turner‘s pictures is being made. This he interrupts to greet his daughter right in the middle of a scene. Mr. James Young is both author and producer and has made an excellent offering.”
Moving Picture World, September 28, 1912

“Since the earliest days of the motion picture, fans have always been inquisitive about what went behind the scenes.  In response of a flood of questions from readers, fan magazines ran hundreds of articles that attempted to unravel the mysteries of movie making – how screenplays were written, movies filmed, actors trained. Many early films, too, catered to the curiosities of eager fans. A series of movies, A Vitagraph Romance (1912) and Mabel’s Dramatic Career (1913), and two Charlie Chaplin films, A Film Johnnie (1914) and His New Job (1915) dramatized the joys and pitfalls of filmmaking for all the world to see.”
S. Barbas: Movie Crazy: Stars, Fans, and the Cult of Celebrity. Springer 2016, p. 116/117

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