• A Complicated Conflict
• André Deed as Gribouille
• A Wrong Decision
• An Indo Dutch Nostalgia
• Around the Eiffel Tower
• Japan 1899: Momijigari
• Girls of the West
• Spain: Pasionaria, 1915
• A Hard Work and its Product
• The Defense of Sevastopol
• The Skyline of Another Planet
• Pathé in the States – 01
• 1901: The Arrest of Thomas P. Goudie
• Railways, Subways, Phantom Rides-07
• A Woman of Tomorrow
• A Forgotten Italian Comedy
• Suzanne Grandais
• Continuity Editing and Crosscutting
• Mail to the Editor
• Perret’s “La dentellière”
• Twins
• Neighbourhood
• Mack Swain as Ambrose
• Inside the Submarine
• America’s Roots
• Gold
• Comedy without Comic Snap
• Frank Powell
• Early Spanish Cinema (4)
• Rigadin (2)
• Max Linder 1912
• Promoting a Military Enterprise
• Asta
• All These Haunted Things
• Éclair’s Travelogues
• Red Wing
• The Manaki Brothers (2)
• Montmartre, around 1911
• Georges Monca
• Cities, Europe and Beyond
• August, 1914: Mobilization
• A Dark Sense of Humour
• A Romance of the Underworld
• Children’s Fate
• Irene Hunt – Face of the Girl Reporter
• Émile Cohl as Live-action Director
• 1897: Cars and Camels
• Sheffield 1902
• A Political Pathé Film, 1906
• Léontine, Nasty Girl
• A Perfectly Hand-stencilled Colour
• Mary Pickford’s Early Career
• Early Animations from Japan
• Hawthorn (Vic.), Australia, 1906
• Guido Seeber
• China, Early 20th Century
• Mary Pickford 1915: Cute!
• Lumière in America
• Durand: Camargue Westerns (3)
• The William S. Hart Formula
• United States Navy, 1899
• Oscar Apfel
• Léonce Perret: L’enfant de Paris
• Alice Guy in America – 4
• Der Hund von Baskerville, 1914
• Over the Top
• How Germany Prepares for WW I (2)
• Canine Cinema
• Sarah Bernhardt’s Queen Elizabeth
• Giovanni Enrico Vidali: “Spartaco”
• The Manaki Brothers (1)
• Onésime: Ultimate Conclusions
• Alice Guy in America – 3
• Lois Weber: Framed Memory
• Durand: Camargue Westerns (2)
• The Conspiracy of Pontiac
• More than Simple Shades of Grey
• Early Sitcoms: Max Linder (2)
• “Japonaiseries”
• Japan – Labour and Leisure
• Japan – a Travelogue
• Allan Dwan, 1911
• Is Spiritualism a Fraud?
• The Russo-Japanese War
• Fox Hunt: A British Pleasure
• Argentina: La creación del himno
• R.W. Paul and Birt Acres
• An Early British Crime Film
• Full of Laughs, very Entertaining
• Charles Lucien Lépine
• A Forgotten Pioneer
• Celebrations at Aberdeen University
• The Date was 21 June 1898
• Griffith’s ‘Gibson Goddess’
• Life of an American Policeman
• Kathleen Mavourneen (1906)
• Camille de Morlhon
• Asta Nielsen: Zapatas Bande
• The Country Doctor
• Bloody Sunday in Russia
• Griffith and Pickford (2)
• Griffith and Pickford (1)
• The Impetuosity of Youth
• Amundsen, conquering the South Pole
• Winter Sports in Malmö, 1912
• Cecil B. DeMille: Joan the Woman
• The ‘Clochards’ of Paris
• Giant Trees of California, 22mm
• Pathé in Sweden
• Feuillade’s Bébé: Clément Mary
• Stacia Napierkowska
• Chaplin’s ‘Shanghaied’
• Charlie in Transition
• Charlie and Edna
• Christmas Eve Night
• Purely Visual Means
• The Star of Bethlehem
• An Unusual Broncho Billy
• Life and Death of Charles Peace
• Zecca: Social Realism
• Chomón’s Box of Tricks
• Thomas Ince presents: Civilization
• Flying Train, 68mm
• La mort du duc d’Enghien en 1804
• Lionel Barrymore
• Griffith, perfectly improvising
• Chomón’s Reply to Méliès
• A Family of Film Actors
• Vive La Commune!
• Lost and Won
• Albert Capellani 1911
• Edgar Jones and Clara Williams
• Modern Tourist Postcards
• Florence Turner Cries
• The Hand Bag – An Unstable Object
• The War that didn’t Happen
• Siegmund Lubin’s Western Factory (2)
• Booth’s Lightning Cartoon
• Peter Marzen – The Showman of Trier
• Ralph Ince: The Mills of the Gods
• Hamlet: Johnston Forbes-Robertson
• The Wrath of the Gods
• A Wild West Made in Germany
• Traffic in Souls
• Capellani’s “Robespierre”
• Florence Turner & Maurice Costello
• Facial Expression
• Chomón: A King’s Wedding
• Capellani’s “L’Arlésienne”
• Lea Giunchi – Matchless in Italy
• Méliès’ Adventurous Automobile Trip
• Furious Women
• The First Hillbilly Movie
• Perret: Le portrait ovale
• A Trick Film Factory, ca. 1900
• Tracking Shots
• A Cowboy Hero for the 20th Century
• Kathlyn Williams
• Florence Turner’s Pumps
• Marcel Perez and Ambrosio
• David et Goliath
• Emblematic Close-ups
• Za la Mort, the Last Apache
• Tu Felix Austria…
• Victorin-Hippolyte Jasset (4)
• Anything but Realism
• Alice Guy in America – 2
• Submerged in Gloom? Not Really.
• European Landscapes
• Westerns: Too much of this sort?
• A Vitagraph Commercial
• Flora Finch and John Bunny
• A touching, yet forceful play
• ÉCLAIR Scientia
• Victorin-Hippolyte Jasset (2)
• A Firework of Colours
• Early Feuillade Comedies
• Rollin S. Sturgeon (2)
• Rollin S. Sturgeon (1)
• Gavroche
• Eleuterio Rodolfi
• Musician Stories
• The Elegance of the Creature
• In the Land of the Head Hunters
• Alfred Lind’s ‘Flying Circus’
• Seeing / Not Seeing
• The Abernathy Kids
• Love and Science (-Fiction)
• Giovanni Pastrone: Il fuoco
• Vingarne – A ‘Gay-Themed Film’
• 1903: A Dash to the North Pole
• An Early ‘Race Movie’
• Inside Africa
• Music-Hall and Film
• Georges Méliès, Musician
• The patriotic death of a child
• Max Linder, hanging
• “Titanic” or “Olympic”?
• Ivanhoe
• Impressions of the Netherlands
• Francis Boggs
• Feuillade: Le pain quotidien
• Griffith: The Golden Supper
• Nat Pinkerton
• Kenean Buel, Director
• Three Categories of Babies
• A Successfully Adapted Immigrant
• A Wholly Artificial Spectacle
• Gender Democracy
• Piero Marelli
• Careful Duellists
• A Promotion Film for Canada
• Two Lighthouse Keeper Stories
• Florence Radinoff and Norma Talmadge
• Close Reading
• Éclipse: 150 Films per Year
• Something Magical is Going on
• Early Days in Oklahoma
• In Northern Forests
• Chaos and Destruction
• Jean Durand
• Arthème Dupin
• Cleo Madison, Actress and Director
• Méliès: Master of Advertising
• The “Lux”, France 1906-1913
• Allan Dwan, 1912
• Capellani’s Sleeping Beauty
• The Latest Metropolitan Fashion
• Griffith, Pickford, Sennett
• Chomón: Everything is Faked
• Roméo Bosetti and Paul Bertho – 2
• Roméo Bosetti and Paul Bertho – 1
• Ince: Carefully Pre-planning His Films
• Starewicz: Mystical and Macabre
• Albert Capellani: Two Feeries
• An Outlaw with a Sense of Responsibility
• Selig’s Tropical Jungle Zoo
• A Painterly Use of Light
• Charlie vs. Chester Conklin
• A Christian-Jewish Melodrama
• One-Joke College Comedies
• Psychological Symmetry
• How to Stage People Around a Table
• Climbing and Shooting
• Allan Dwan, 1915
• Allan Dwan, 1913
• Fatty and Mabel – 2
• Roscoe ‘Fatty’ Arbuckle’s New Humor
• Up the River Congo, 1912
• Max Linder – Early Comedies
• Australia’s Earliest Films
• The Thanhouser Kid
• A stylish mise-en-scène
• Mauritz Stiller
• A Famous Plagiarism
• Cenerentola: A Making-of
• Actualities from Turin
• A New Weapon for WW I
• Fatty and Mabel – 1
• Roscoe ‘Fatty’ Arbuckle
• S1: Asta in Pre-War Troubles
• A Preparedness Demonstration
• The Bank: Charlie and Edna
• Palermo 1910
• Sidney Drew, Comedy Star
• Portrait of a Brave Correspondent
• Holland – through Italian eyes
• Émile Cohl’s Surrealism
• Lois Weber – the “Wizard”
• Maurice Costello
• Ugo Falena: Salomé, 1910
• Vitagraph’s Cowboy Girl Westerns
• Maciste – The First Superhero
• A Niagara Falls Drama
• An Early Screwball Comedy
• An Italian Western – hybrid style
• A Deadly Car Ride
• Shot Through a Microscope
• Billy Bitzer Among the Clouds
• Italy: Pasquali & C.
• The Northwestern Pacific Rail Road
• Broncho Billy: Exploring a Genre
• Chaplin’s ‘Caught in the Rain’
• Luigi Maggi’s Figaro
• Filming the Process of Whaling
• Tom Mix, Cowboy Actor
• Emile Chautard
• The Final Years of Imperial China
• R. W. Paul: Blackfriars Bridge
• Broncho Billy meets Charlie
• Feuillade’s Héliogabal
• The Imperial Japanese Troupe
• Simply a Series of Views
• The Man with the Glass Eye
• The Prison – a Paradoxical Place
• Billy Bitzer, the Inventor
• Louis H. Chrispijn
• Toned Blue and Tinted Pink
• Netherland’s East Indies
• Documentaries from Holland
• The Capacity of Visions
• German Giants
• Bicycle Stories
• Renoir, Monet, Degas – 1915
• Maurits Binger, a Dutch Director
• Re-enactment: Dutch History
• A Dutch-French Crime Drama
• Max Linder’s Wife Inside His Suitcase
• Pan Shots in Early Russian Cinema
• Max and the Pets
• MeToo 1909, or: Pie in the Face
• Suffragettes: Types of Caricature
• Alice Guy – shifting between genres
• An Early Feuillade Comedy
• Geneviève de Brabant
• Lighter than Air
• 1897: The X-Ray Fiend
• The Year 1812
• Surviving Confederate Veterans
• Mae Marsh as “Little Tease”
• Downtown: L.A. and Tokyo
• Civil War II
• Amsterdam’s ports 1914
• An Archetypical Disaster Story
• New York 1911
• Méliès: His Sexual Symbolism
• W. S. Hart’s First Feature Film
• Obsessed with a screen image
• Alma Taylor – More than acting
• UK 1914/15: Acts of Heroism
• Erotic Metonymy
• An early Maurice Tourneur
• Studdy’s War Studies
• Cecil B. DeMille: The Captive
• An elegant, swaggering Parisian dandy
• A Reincarnation Story
• Measured Timing and Gags
• A Forgotten Clown: Ernesto Vaser
• A Robust Western Woman
• The Mexican Villain
• San Francisco, Chinatown 1912
• India’s First Long Film
• Shooting. 50 feet. $7.50
• Méliès: His (Self-)Decapitations
• A Salty Melodrama
• A Financial Crime Drama, NYC
• Early Cinema in Catalonia
• A Charlie Chaplin Cartoon
• The Girl Without a Country
• Explosive Christmas
• Percy Smith’s Micro Cinematography
• Asta Nielsen as ‘Traitress’
• The Obsessions of Walter Booth
• Britain’s First Full-Length SF Feature
• Britain’s First Epic Film: Jane Shore
• Dorothy Davenport
• Dramatic Phone Communication
• Broncho Billy, the First Cowboy
• The First Film-based Animation
• Tango Movies
• New Media around 1900 – 06
• Animated Intertitles
• DeMille: The Golden Chance
• Another Carmen, 1914
• Early Spanish Cinema (3)
• Early Spanish Cinema (2)
• A Peculiarly British Obsession
• An Anti-War Spy Film
• The Tableau System of Presentation
• Exquisite interiors, magnificent exteriors
• Colonialism: India 1906-1914
• Love, powered by Otis Company
• Nestor, the first Hollywood Studio
• Children versus adults
• Ford Sterling
• Panama Canal
• Russia: Jevgenij Bauer’s Masterpiece
• 1915: American Animation
• A Hebridian Island
• 1914: High Point of the Spy Film
• A Real Clown of the Silent Era
• Notorious for Intrigue and Murder
• Perret’s ‘Le roman d’un mousse’
• A Classic “Idora Park Story”
• Durand: Camargue Westerns (1)
• Hobart Bosworth
• Alfred Machin – Belgium 1914
• Salomy Jane
• Jean Durand: Zigoto, 1912
• Cretinetti in War Times
• Florence Turner: The Anarchist’s Wife
• Asta Nielsen: Die Filmprimadonna
• Georg af Klercker – 02
• Georg af Klercker – 01
• New Adventures of J. Rufus Wallingford
• From Boireau to Cretinetti
• Red Cross Stories
• Mario Caserini
• Siegmund Lubin’s Western Factory (1)
• The Loan Shark Evil
• Savoia Film, Torino
• Thanhouser’s Stars
• Exploring Character Psychology
• Exploitation and Performance
• The Vicar of Wakefield
• The Zudora Series
• Zola, Capellani, Griffith
• Méliès, Alchemist
• Feuillade, Humorist
• Feuillade as Mythologist
• The oldest preserved Norwegian film
• Pastrone’s Sherlock Holmes
• Totò and Fringuelli
• Self-referentiality
• Like a Tempting Salome
• Max, the Immortal Lover
• De Chomón’s Easter Eggs
• Shakespeare: The Tempest
• Griffith 1913
• ‘The Greatest Actor of the Netherlands’
• Lesbian? Gay? Queer?
• 1911: Joris Ivens’ First Movie
• Sidney Olcott’s Jesus Film
• Hungary 1917: Jenö Janovics
• Austria: World War 1 as Event
• Germany, 1913/1914
• Raoul Walsh’s “Regeneration”
• A ‘Cinderella Narrative’
• Stencil coloring – frame by frame
• The German-Danish War 1864
• Valdemar Psilander
• Vitagraph’s “Napoleon”, 1909
• Robert W. Paul: Hammerfest, 1903
• The First Native American Director
• Urban Views: Perth and Melbourne
• Ferdinand Zecca
• Anton Chekhov on Screen
• Russia: Princess Tarakanova
• A Russian-French Documentary, 1908
• Great Western, Greater Love
• 1789 from the Aristocratic Viewpoint
• British Soldiers vs Chinese Gangsters
• George A. Smith’s Colour Experiments
• An Everglades Western
• Méliès: A Multimedia Science Fiction
• A Sensational Stunt, 1906
• A Storm at Sea (1900)
• Rip Van Winkle
• Walter R. Booth: Comedy or Horror?
• A Documentary from Brazil
• When the West Was Young
• Kri Kri, a Surreal Phenomenon
• Max Linder in Berlin
• A Cultural Clash
• A Welsh Tragedy
• Venezuela 1915
• UK: Temperance Propaganda and War
• A Story of Life in Little Italy
• Air Pirats – a British SF, 1911
• Charlie and Family
• Lyda Borelli, la diva amata
• The Last Days of Pompeii, three versions
• A Secret Society Adventure
• SF Fantasies from Italy and France
• Buon Anno!
• Charlie and His Jobs
• Christmas with Starewicz
• Alice Guy: Three Extraordinary Shots
• A Feminist View on Jesus Christ?
• A Biblical Thriller
• Film d’Art in Italy
• Visions from Holland
• Oliver Twist (1909)
• A Diner’s Performance
• Feuillade’s “André Chénier”
• Inspired by a Factory Fire, NYC
• A Difficult Soirée
• An Italian Heroine: Berta Nelson
• Luigi Maggi
• Everyday Mischieves
• Asta Nielsen: A Kind of Trance State
• A Setting Like Alaska
• Polidor aka Tontolini
• Serbia’s First Feature Film
• 1914: George V in Paris
• Promio, Lumière operator
• An Anti-Alcohol Message
• How to Make an American Citizen
• Die Medici und das Filmerbe
• Wiesbaden 1914
• An Early Lubitsch Joke
• Francis Ford, Actor and Director
• Alice Guy 1906
• Lon Chaney as Hunchback
• Capellani’s First Film
• Sarajevo 1915
• Rural and Urban America
• Charles Moisson
• Léonce Perret
• A Famous Slop
• A Surrealistic Fairy Tale
• Al St. John
• Maurice Tourneur
• Horror: Méliès, Chomón, Tourneur
• Coney Island
• Time-lapse and Color
• A Kind of “Heist Picture”
• Hepworth’s Emblematic Dog
• Little Robin Hood
• Alice Guy: Hand Colored Films, 1900
• A Domestic Affairs Comedy
• Éclair in America
• Maciste, Italy’s Fairbanks
• A Dutch Director on a European Scale
• Émile Cohl – the Pathé Period
• Class Conflicts
• The Automobile Adventure Genre
• Dr. X – Mephisto in Denmark
• Stanner E.V. Taylor
• Old London
• Two Selig Thrillers
• A Western Comedy, 1911
• Film and Comic Strip
• The Colours of Pathé
• American Racism, 1905
• An Italian Carnival Tragedy
• Ruth Roland – a Girl Detective
• A Drama on the Volga
• Walter Booth’s Proto-SF Fables
• The “Intelligent Home”, 1915
• Clay Animation
• The Female Status as Image
• Caserini’s Parsifal, 1912
• Émile Cohl: Dreams and Nightmares
• A Dutch Chase Film
• A Sensational Melodrama
• Wetzlar, Germany 1914
• Capellani in Holland
• A Lesbian Hero, Italy 1915
• New York Stories, about 1900
• Theodore Roosevelt in Africa
• Noblesse Oblige
• A Romantic Comedy
• Germany 1903
• Sacha Guitry Film Director
• Griffith: Home, Sweet Home
• Griffith 1912
• Griffith 1911
• Griffith 1910
• Griffith 1909
• Griffith 1908
• Alice Guy: La Marâtre, 1906
• An Irish Robin Hood
• Extraordinary: Saturnino, Italy 1913
• A Tiny Villain-Mustache
• Feuillade 1909
• How Germany Prepares for WW I (1)
• Actors Behind the Screen
• Machin in Africa
• De Chomón’s Pickpock
• Feuillade, experimenting
• How to Fall in Love with a Stableman
• A Nonsense Élite
• Charlie, the Perfect Lady
• The Great Flood of Paris, 1910
• Émile Cohl, Master of Animation
• Oil and Love
• Lassie’s Predecessor
• Ireland a Nation
• Standard Crazy Stuff
• Charlie’s Brother Syd
• Shakespeare’s Richard III
• Subtle Understatement: Sessue Hayakawa
• Carmen 1915
• Colours True to Nature
• Arrival of a Train, Dutch Version
• Subversive Close-ups
• Chaplin 1914
• Promoting Cadillac in the UK
• The First Australian Cartoonist
• The Portrait of a Lady
• Colonial Travelogue: Jamaica
• Gabriel Veyre, Lumière Operator
• Panorama Shot and Panoramic Sweep
• Duel au pistolet (longueur: 12 mètres)
• A Thanhouser Situation Comedy
• Showbiz, Paris 1905
• Machin – A French Director in Belgium
• Science Fiction from Denmark
• Naming the Federal Capital of Australia
• Capellani, Former Theater Director
• Belgium around 1910
• Police Action, Futuristic
• Cinema and Mass Ideology
• Theodore Roosevelt’s First Flight
• More Immigrants Stories
• Intensely Patriotic
• Arthur Melbourne Cooper
• Nino Oxilia
• From Quarrel to War
• La Bertini Under Cover
• Margarita Fischer
• Griffith and the New York Police Dept.
• The First Advertising Films
• Pathé in Australia
• Cowboys in the City
• The Australian “Bushranger” Genre
• Fantasy and Horror
• Italian Immigrants
• American Glory, Hand-Colored
• Albert Capellani 1907
• Class-War
• Cleopatra 1912
• Gulliver’s Travels by Méliès
• Travelogues 1910
• Capellani: Two Deadly Romances
• The Biggest English Comedy Hit of the Year
• Earliest Dickens Film
• John Bunny and Flora Finch
• An early film factory in Italy
• Spectators Watching Spectators
• Colonial Sujets
• The First Movie Showing Kendo – 1897
• Georges Méliès: Jeanne d’Arc
• Early Surrealism
• A New Sport: Skating 1912
• Phantom Ride: Barcelona 1908
• A Touch of Hitchcock
• 1900: Color and Sound
• Arthème macabre
• Slapsticks by Alice Guy
• D’Artagnan the Lion
• Explicitly Oedipal
• The Most Famous Suspense Serial In History
• Experimental Color Movie
• Lewin Fitzhamon
• The Greaser Character
• Tolstoy’s Kreutzer Sonata
• Textual Inserts
• Running Time: One Minute
• The Invention of the Film Series
• Lady Godiva
• An Anti-anti Nicotine Movie
• Guazzoni: Dr. Faust and Cajus Julius Caesar
• A Typical ‘Cinema Woodcut’
• Comedienne and Tragedienne
• Social Drama, Romantic Comedy
• A Kalem Girl: Gene Gauntier
• Sherlock Holmes on Screen
• Line-drawn Animation
• Wladyslaw Starewicz
• About the Poor
• Victorin-Hippolyte Jasset (1)
• Holland 1899
• Early Ethnography
• A Chase Comedy from Australia
• From Keystone to Essanay: Chaplin 1914/15
• A Seagoing Love Adventure
• A Coherent Narrative
• Rigadin (1)
• Slapstick Italiano: Marcel Perez
• Modern New York
• Buffalo Bill
• Max l’immortel
• Italia: Il Risorgimento
• Alice Guy in America – 1
• Early Spanish Cinema (1)
• America’s Sweetheart
• Holland 1900
• Action!
• A Country Girl
• Cinema of Disaster
• A Strange Dinner Party
• A Tribute to Mabel Normand
• Stenka Razin
• Jevgenij Bauer (1)
• Jevgenij Bauer (2)
• Pyotr Chardynin
• Imperial Russia: V. Goncharov
• Ein Märchen aus Deutschland
• Suburbia
• The Origins of Paramount
• Phantom Ride and Shooting
• Al J. Jennings, the Robber
• Civil War III
• Civil War I
• Victorin-Hippolyte Jasset (3)
• Méliès am Nordpol
• Marriage for Money
• Konsequenzen des Feminismus
• Fantômas
• Feuillade: L’agonie de Byzance
• Industrial Espionage
• Reality vs. Imagination
• Vilhelm Glückstadt
• Jevgenij Bauer (3)
• A ‘featurette’ by Griffith
• Griffith 1911/12
• Griffith 1909/10
• Terrorism in Russia
• Phantom Ride, Vancouver 1907
• Irish Soil
• Old Ireland
• For Ireland’s Sake
• Anita Loos
• A Young Horror
• Florence Turner and Larry Trimble
• Good Types, Bad Extras
• Italian Verism
• Chaplin No. 4
• Annie Bos
• William S. Hart
• George Albert Smith
• Phantom Ride, London 1910
• Suffragettes Satire
• An Early Documentary Film
• Hightech Warfare
• Armoured Car Terror
• Ulysses on Screen
• The World’s First Feature-length Comedy
• Death of a Suffragette
• Exploitation Film
• Pimple Parodies
• Winsor McCay
• Feuillade’s Titanic Film
• Fadings
• DeMille’s First Motion Picture
• Qui pro quo
• Urban Gad
• Benjamin Christensen
• The Myth of Oz
• A Puritan Romance
• Dante’s Inferno
• Raymond Longford and Lottie Lyell
• Paris Exhibition 1900
• The Stenographer’s Friend
• Herrenabendfilme
• Film d’Arte Italiana
• Animated Journal
• A Deadly Scoop
• San Francisco, 1906
• A Portuguese Re-enactment
• Landscape Documentary
• The Battle of London
• Dickens on Screen
• Stage, Screen, and Death
• Documentary Re-creation
• Early Cinema in Australia
• Griffith 1914
• Gale Henry
• How Poe’s Raven Was Born
• Taking No Sides
• Potential Wives
• The Plight of Working Children
• Suffragettes
• Europe 1914
• The End of an Epoch
• Wo ist Coletti?
• Belgian Settings
• Electrocution
• America at Work
• Italy’s Colonial Wars – 2
• Italy’s Colonial Wars – 1
• Theo Frenkel
• Alice in Spain
• Capellani 1906
• Germinal, 1913
• Flashbacks
• Siegmund Lubin
• Pathé in the States – 02
• Bricolage
• Alice in Wonderland
• Alfred Machin-2
• Early Advertising Films
• Alfred Machin-1
• Wilhelminischer Humor
• Griffith, prehistoric
• The Mob Outside
• Mug Shot
• Time-lapse Camera
• Tonbilder
• Mitchell & Kenyon
• Vitagraph’s Shakespeare
• Francesca Bertini
• Lyda Borelli
• The Naked Truth
• Jurassic Park, anno 1915
• A Mafia-connected Gang
• A Moral Tale
• America’s First Female Director
• Harun Farocki (1944 – 2014) in memoriam
• Demographic Change
• Griffith and Shakespeare
• Abel Gance: Through Distorting Mirrors
• Mary Pickford
• Under the Ocean
• Mack Sennett’s Speed Factory
• Split Reels
• Franz Hofer-2
• Franz Hofer-1
• The Keystone Cops
• Mack Sennett and Mabel Normand
• Charlie’s First Appearance
• Shakespeare on Screen
• Segundo de Chomón
• A Familiar Biblical Story
• Les vampires 1 – 10
• Lon Chaney
• A German Social Drama
• Underwater Footage
• Gender Mainstreaming
• Victor Sjöström
• 1909: The Aerial Warfare To Come
• Chaplin N°2, February 7, 1914
• Film within the Film
• 1914: Die ersten Bomben
• 1914: Trench Warfare
• August 1914
• European Cinematography 1895 – 1905
• The Birth of a Nation
• William Fox Presents
• Chaos à la Méliès
• W.C.Fields’ Debut
• Griffith and the Indians
• The Very First Griffith
• Early "Afro-American" Cinema
• Early Cartoons and Animations
• Inspired by Griffith
• Spanish-American War 1898
• Gay Cinema 1912 ?
• Aus dem Golem-Komplex
• NYC: Newspapers and Skyscrapers
• Cinderella
• Chaplin, Keystone Co., Spring 1914
• American Virtues
• One Touch of Nature
• Thomas H. Ince
• "The MGM of the Silents"
• Broncho Billy – The American Shot
• Joseph Delmont
• The German "Autorenfilm" – 02
• The German “Autorenfilm” – 01
• Cabiria
• Blockbusters from Italy
• The Onésime Series
• Film d’Art
• Holger-Madsen 02
• Holger-Madsen 01
• August Blom and the Nordisk
• Griffith-12: Go West!
• Griffith-11: Telephone Stories
• Griffith-10: Doublings
• Griffith-09: Narrative Montage
• Griffith-08: Intellectual Montage
• Griffith-07: Outside, Inside – Transitions
• Griffith-06: Figure and Space, Inside
• Griffith-05: Locked In
• Griffith-04: Figure and Space, outside
• Griffith-03: Psychologically Ambivalent
• Griffith 02: Close-up
• Griffith 01: Cross-Cuttings
• Atlantis: A Danish Shipwreck Melodrama
• Untergang im Hinterhof
• Titanic: Facts and Fakes
• Ben Hur
• Starring: The Girls
• A Pre-Hitchcock Eagle’s Attack
• Teddy
• Ein rhythmisches Unternehmen
• A Star is Born
• New Media around 1900 – 07
• Early Sitcoms: Max Linder (1)
• Louis Feuillade’s Series Bout-de-zan
• André Deed as Cretinetti
• French Serial Stars
• The Monsters Are Coming
• Telling a Crime Story: Four Examples
• Porter and Griffith: The Early Social Drama
• Flight and Wreck
• Theda Bara
• Viggo Larsen
• In Foreign Countries
• Alice Guy and the Paris Commune
• Special effects: The Beginnings
• Borderline Cinema
• Runaway Horses
• Natural Light
• Panic and Paranoia
• Lucien Nonguet
• Jules Verne and Gaston Velle
• Crime and Comedy
• Imperial Cinema
• Brighton: Entertainment 1900
• Chase Films
• How to Ride a Bike
• Brighton School: James Williamson
• Dangerous Cars II
• Dangerous Cars I
• New Media around 1900 – 05
• The First Sight
• 1898: A Story to Continue
• Méliès: Attraction and Narration
• Close-up
• Striptease and Burlesque
• Kisses, Comedy and Early Cinema
• Showbiz 1895: Edison’s Kinetoscope
• Re-enactment: The Anglo-Boer War
• Docudrama 1900: L’affaire Dreyfus
• Defilee
• An Era of Disasters
• Visual Newspaper
• George A. Smith: Prosthesis for the Eye
• Electric Illumination
• Berlin – eine Maschinenhalle
• New Media around 1900 – 04
• E.S. Porter: Blockbusters for Edison
• Early Palace Theatres, USA
• New Media around 1900 – 03
• Splendid Vantage Points
• G.W. "Billy" Bitzer
• Firemen Movies
• New Media around 1900 – 02
• New Media around 1900 – 01
• Panoramic View – Ocean Beach
• Railways, Subways, Phantom Rides-06
• Railways, Subways, Phantom Rides-05
• Railways, Subways, Phantom Rides-04
• Railways, Subways, Phantom Rides-03
• Railways, Subways, Phantom Rides-02
• Railways, Subways, Phantom Rides-01